Tag Archives: literary criticism

Despatches from the Field

by Benjamin Sacks

Account of L V S Blacker, The Geographical Journal, 1921.

Account of L V S Blacker, The Geographical Journal, 1921.

Matthew Parris and Andrew Bryson’s two recent collections of British diplomatic correspondence since the 1930s have expanded the general public’s awareness of the personal opinions and daily (and not-so-daily) adventures of British ambassadors, first and second secretaries, and chief-of-missions throughout the world. But the Royal Geographical Society (with the Institute of British Geographers) had long been active in receiving and publishing such reports from geographers. Indeed, such reports arguably sustained and expanded the Society’s membership base throughout the last century, until The Geographical Journal, the principal journal of record (as well as the RGS-IBG more generally), gradually shifted its focus from expeditionary promotion to the funding and publicising of scholarly research and geographic education. In many respects, geographers’ reports, letters, and other writings mirrored their Colonial or Foreign Office counterparts: nuanced combinations of anthropological observation, personal narrative, ramblings and distractions, and hard-nosed scientific, cultural, or topographical inquiry. In short, then, geographers and diplomats were (and remain) remarkably similar, representing their nation in diverse (usually foreign) environments, at once “blending in” and remaining conspicuously aloof.

In the second issue of the Journal of the Royal Geographical Society of London, Edward Nicolls, Duke Calabar, and C H Coulthurst recounted, through a series of carefully selected letters, their difficult, and ultimately unsuccessful effort to explore the Gambian interior in Central West Africa. Their correspondence was by no means a straightforward, disinterested observation of record, but rather an stylised, colourful, and dramatised narrative, written to demonstrate both the authors’ harrowing circumstances, and ostensibly to highlight how they triumphed (or perished):

Sir, – It is with sincere regret I inform you of the death of Mr. Coulthurst…He had got as far as the Eboe country…The King of Eboe refused to let him pass…I have secured most, if not all, Mr. Coulthurst’s effects, but I cannot find or get any intelligence of his writing-desk or journal…There appears to be some mystery about the journal and writing-desk…(p. 309).

What had happened to Coulthurst’s journal? Did someone surreptitiously remove it before Nicholls’ arrival? Did it contain a damning note? Or was its loss simply the result of disorganisation, a storm, or absent-mindedness? Likely intended, Nicolls’ account served not only to report the passing of a colleague and fellow explorer, but stressed the former’s devotion to duty (the assumption that he kept a journal for the Society, and that it had been possibly secreted away), as well as the latter’s self-promotion – Nicholls’ fond, even idealistic account of Coulthurst’s life (he ‘took a very honourable degree’ and ‘from infancy his heart was set on African enterprise’) could serve him well in advancing his own career (p. 310).

This was only the beginning. The official 1921 report of Captain L V S Blacker, of the Corps of Guides in the Punjab, published in The Geographical Journal‘s pages, echoes the diplomatic opinions and narratives of ministers extraordinary and plenipotentiary. ‘Islam has spurned the Prussian’, Blacker began,’ so his vapid psychology took him back to Attila, his forbear’ (p. 178). Clearly racist overtones aside, it was an evident flourish to set the stage: presenting a familiar ‘us’ versus ‘the other’, a remark evidently, at least likely in Blacker’s mind, to acquaint the reader with his plight – and how his overcame it. Similar literary, personal emotions, ensconced in flowery diction, appeared throughout. ‘In early 1918’, he pronounced, the looming political strife between indigenous Central Asian peoples and the Bolshevik usurpers ‘were hidden from us, or only discerned dimly across the great spaces of deserts and ice-bound mountain ranges, over which even the hardy Central Asian trader now seldom came’ (p. 179). As Parris and Bryson demonstrated through their archival search, such enterprising language could just have easily flowed from the pen of HM minister to Turkmenistan some eight decades later.

books_icon E Nicholls, D Calabar, and C H Coulthurst, 1832, Failure of another expedition to explore the interior of Africa, Journal of the Royal Geographical Society of London, 2, 305-12.

books_icon L V S Blacker, 1921, Travels in Turkistan, 1918-20, The Geographical Journal, 58, 178-97.

books_icon M Parris and A Bryson, 2012, The Spanish ambassador’s suitcase: and other stories from the diplomatic bag, London: Penguin Press.

Novel geographies

By Matthew Rech

Writing in Geography Compass, Sheila Hones charts the development and evolution of literary geographies. From its origins in comparative studies of geographical description, the use of literature in the study of geography has challenged disciplinary boundaries and has influenced scholarly approaches to space and place.

In particular, Hones highlights new developments in the field of literary geography that consider fiction and poetry as explicitly spatial, with the “reading-writing nexus as a contextualised and always emerging event” (1302). The geographies of literature are always arguably twofold, Hones suggests, “the first being the geography of the initial text event, and the second being the geography of the context in which the reader’s experience of that event is later narrated” (1302).

Whilst then the possibilities (texts, events, readings, moments) are manifold in the geo-graphing of literature, it might be helpful to focus on particular examples.

Reviewing for the Guardian, Giles Foden celebrates the first English translation of JMG Le Clezio’s Desert (1980). Preoccupied with migrations and ‘separations from the natural world’ (“issues [that] have become critical globally”), Desert tells the tale of two North African Tuareg children who are variously dispossessed by war and imperialism. Told from “two viewpoints, and in a double time scheme”, Desert may provide a good starting point, replete with its “array of people, places, times, contexts, networks and communities” (Hones, 1301), from which to consider the possibilities of literary geography.

Read Hones, S (2008) Text as It Happens: Literary Geography. Geography Compass. 5. 1301-17

Read Giles Foden’s review of GMJ Le Clezio’s Desert